Category Archives: Ten of my favourite…

Ten of my favourite train songs

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Continuing with my plan to link every post to the previous one… well, what next? (Harvey: you were close when it came to guessing!)
My last post, North-West Frontier, was set mostly in a train – and that too a train in the Indian subcontinent. So it seemed appropriate to do a list of my favourite songs set in what seems to have been one of Hindi cinema’s much-loved settings. From this lovely old song by Pankaj Mullick (thank you, AK, for introducing me to that), to newer songs – from Teri hai zameen teri aasmaan, to the much later Chhaiya chhaiya.

But: I’m restricting myself to pre-70s songs, and those too from films I’ve seen. What’s more, these are songs where the person on whom the song is picturised is on the train throughout the song. That’s why, no Mere sapnon ki raani kab aayegi tu (for me, that’s a jeep song; I’ll do it in another post) and no Jab pyaar kisi se hota hai.

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Ten of my favourite ghoda-gaadi songs

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This post is dedicated not just to music directors like O P Nayyar and Naushad (who made ‘tonga beats’ an important musical style), but also to friend and blog reader pacifist, who came up with the idea. Writing to me some weeks back, pacifist made a request: that I do a list of horse-drawn vehicle songs.

So: here’s the list, pacifist. Ten of my favourite ghoda-gaadi songs, from pre-70s films that I’ve seen. Other than that, my requisites for the selected songs were:
1. That the person singing (on screen, that is) remains in the ghoda-gaadi through at least 80% of the song (which is why Ae dil hai mushkil doesn’t feature in this list).
2. Horse-drawn vehicles of all types qualify: tongas, Victorias, phaetons, even chariots. Horseback is out.
3. And, no two songs from the same film are allowed.

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Ten of my favourite bird songs

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Birdsong? No, really. Bird songs.

I spent a bit of last Sunday at Delhi’s Okhla Barrage Bird Sanctuary. The barrage on the Yamuna hosts a vast number of migratory birds through the winter. Most of them are gone by this time of the year, but there’s plenty of bird life still to be seen:

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Ten of my favourite Sahir Ludhianvi songs

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Among the most popular posts on this blog are my top ten lists of songs. They’re also among my favourites; old Hindi film music is one big, big reason for my watching these films in the first place. Which is why I’ve ended up doing so many lists of songs—for music directors (S D Burman, O P Nayyar), singers (Rafi, Mukesh, Hemant, Manna Dey, Talat, Lata, Mahendra Kapoor), even for actors (Madhubala, Asha Parekh, Johnny Walker). But lyricists tend to get left out. A song wouldn’t exist without someone to write the words, would it? So, a post honouring one of my favourite lyricists: Sahir Ludhianvi, on his birth anniversary.

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Ten of my favourite Mahendra Kapoor songs

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A little over a month ago, when I reviewed Humraaz, one thing (among the many) that I liked about the film was the music, one of the few soundtracks dominated by Mahendra Kapoor. Praise for Mahendra Kapoor drew mixed reactions: he’s underrated, he shouts, he’s good only for Punjabi songs, he’s versatile… therefore, this post, on Mr Kapoor’s birthday, to celebrate one of Hindi cinema’s uncelebrated singers. Born on January 9th, 1934, Mahendra Kapoor recorded (supposedly) more than 25,000 songs and is believed to be the first Indian singer to have recorded a song in English.


Anyway, without further ado, my top ten list of Mahendra Kapoor’s songs. All from 50’s and 60’s films that I’ve seen, and (to make it a little more interesting for myself) no two songs from the same film. These are in no particular order.

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Ten Great Johnny Walker Roles

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My major complaint against Hindi cinema has been that we’ve never given comedy the sort of status it’s received in the West. True, there has been the occasional classic comedy – Chalti ka Naam Gaadi, Dekh Kabira Roya, Dholak and Padosan, for example – but as a genre it seems to have been largely neglected. Which, in turn, has meant that comic actors have also often not been given due respect for their talents. Making people laugh is I think more difficult than making them cry: and Johnny Walker is one of the very few who’ve excelled at the art. Here, therefore, are some of his roles that I find the most memorable. All, of course, from films that I’ve seen.

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Ten of my favourite Asha Parekh Songs

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Today is the 68th birthday of one of my favourite actresses: Asha Parekh, beautiful, expressive, a fine actress and an excellent dancer.

Although she had worked in a handful of films as a child actress, Asha’s first onscreen appearance as an adult was an uncredited role in the Vyjyantimala-Kishore Kumar starrer Asha (1957). A year later, in 1958, she was billed in Dil Deke Dekho as ‘a Filmistan discovery’. And what a discovery! All through the 60’s, and into the first couple of years in the 70’s, Asha Parekh appeared in many of Bollywood’s biggest, most colourful, most entertaining films: Dil Deke Dekho, Jab Pyaar Kisi Se Hota Hai, Phir Wohi Dil Laaya Hoon, Love in Tokyo, Mere Sanam, Teesri Manzil…
So, in commemoration: a list of ten of my favourite Asha Parekh songs, all from films that I’ve seen. And, to prevent myself listing all the songs of films like Love in Tokyo, I’m restricting myself to only one song per film.

Happy birthday, Ashaji!

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Lata in Ten Moods

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When I did the Rafi in Ten Moods post a few months back, Stuartnz suggested I also do a Lata Mangeshkar post sometime. It’s taken a good deal of thought, since—like Rafi—Lata also has such a huge corpus of work, it’s impossible for me to pick my ten favourite songs. This, therefore, is the easy way out. It’s a list of ten songs in ten different moods. Not Lata’s ten best songs, but ten songs that showcase her voice, in every emotion from joy and playfulness to heartbreak and deep sorrow. These are all from pre-70’s films that I’ve seen (Pakeezah is the exception, but I never count that as a 70’s film—for me that’s very 60’s).

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Classic Bollywood: Ten Unforgettable Scenes

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Some months ago, Bawa—to whom I will always be indebted for inspiring me to watch and review films in languages other than English and Hindi—sent me an interesting article. It listed selected scenes that leading film critics pegged as cinema’s most memorable. Bawa’s suggestion: why not do a list like that for Bollywood?
It’s taken time and effort, but this is it: ten scenes from 50’s and 60’s Hindi cinema, which are for me the most memorable—for whatever reason. These are in no particular order, though the scenes that came immediately to my mind (so, I suppose, the most memorable for me) are grouped at the top.
Note: some of these have spoilers.

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Ten of my favourite patriotic filmi songs

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I am very proud to be Indian, but I guess in a way that wouldn’t make me terribly popular with some people. I do not agree, for instance, that everything about India is top class, or that everything about the countries we have political, social, economic or other differences with is necessarily evil through and through. I love India, but I do not feel that means I must hate other countries.
But one thing I will concede: nobody does “I love India” songs as well as Bollywood. Of course. We have so many different forms of patriotism onscreen: the soldierly bravery of Haqeeqat; the dignified, subdued yet exceptionally poignant love for country of a native far from home in Kabuliwaala; the militant, do-or-die fervour of Bhagat Singh in Shaheed; the urge to take the country forward into a new age of progress, in Hum Hindustani...

So here are my ten favourite patriotic songs, all from 50’s and 60’s (occasionally 40’s) films that I’ve seen. Happy Independence Day!

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