La Tía Tula (1964)

Continuing in my endeavour to devote February to my blog readers, a film that was not just recommended to me by a reader, but actually gifted. Bawa, who was one of the first people to encourage me to watch and review international cinema on this blog, gave me an English-subtitled DVD of this classic Spanish film a couple of years ago. I’ve been meaning to see it ever since, and finally got around to watching it this week.

La Tía Tula (‘Aunt Tula’) is one of those films where not very much actually happens in the way of story. Or, rather, the story rests not so much on a series of events, but on a slow, subtle progression (which, by contrast, makes the handful of important events in the plot even more dramatic than they would otherwise have been).

Aurora Bautista and Carlos Estrada in La Tia Tula

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Lala Rookh (1958)

A couple of years back, I dedicated one month of blog posts to the readers of Dusted Off. Since then, many more readers have begun following this blog. Some drop by, leave a comment, or like a post. Some lurk in the background. Some become staunch friends.
It’s been a while, so I thought it was time to repeat what I’d said back then: Thank you. Thank you for reading my blog, for encouraging me, and keeping me going. It’s because of you that I blog. It’s for you that I blog.

To express some of my gratitude for my blog readers, February 2013 on Dusted Off is dedicated to you. All the posts this month will be related to blog readers: reviews of films recommended by readers, lists requested by readers, and so on.  To begin with, a film that I’ve wanted to see ever since Shalini recommended it three years ago. I finally found Lala Rookh in Induna’s catalogue a few months back, and pounced on it.

Talat Mahmood and Shyama in Lala Rookh

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Pride and Prejudice (1940)

Happy 200th birthday, Pride and Prejudice!

As crazy as that might sound, it is the truth. Jane Austen’s wonderful romance novel was first published on January 28, 1813. Originally titled First Impressions, the novel was written by Austen in 1796-7, and was eventually (after numerous revisions by the author) finally published by Thomas Egerton of Whitehall.

Jane Austen

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Book Review: Housefull: The Golden Age of Hindi Cinema

Despite the fact that I love reading as much as I enjoy watching films, I don’t read too much cinema-related writing. Part of the reason is that a lot of what I see in bookstores consists of biographies or autobiographies, and I have a horror of picking up one of those, only to find myself reading the sordid details of people’s personal lives. I’m really not interested in that; what I do like to read is about films themselves, and the professional side of those who make them. (Though I’m happy reading anecdotes like how Madan Mohan persuaded Manna Dey to sing Kaun aaya mere mann ke dwaare, or how Mohammad Rafi got to meet his idol).

So, when I came across Om Books International’s Housefull: The Golden Age of Hindi Cinema (Ed. Ziya Us Salam) and saw that it was a collection of mini essays about the best films of the 1950s and 60s, I decided this might be right up my street.

Housefull: The Golden Age of Hindi Cinema

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Kohraa (1964)

I feel that, no matter how high an opinion one may have of oneself, it is risky business to attempt to remake a classic. If (for example) Alfred Hitchcock made a film, don’t attempt to remake it—especially if you plan on tinkering with the way the story plays out. Biren Nag (who had already made the pretty good suspense thriller Bees Saal Baad) tried his hand at remaking Hitchcock’s atmospheric Rebecca here, and while he got some things right, the end result is not quite as memorable as Rebecca was.

Waheeda Rehman in Kohraa

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A book trailer, and some news

Engraved in Stone, the latest in the Muzaffar Jang series, is now available in bookstores as well as online. Here’s a brief book trailer to whet your appetite:

https://www.youtube.com/watch?v=JdHeDrNwgSs

There’s lots here – history (including plenty about the building of the iconic Taj Mahal), romance, and two mysteries, not just one. Interested? Order your copy now!

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I Accuse! (1958)

One tradition I’ve upheld on this blog ever since I began is that every year, on my birthday, I dedicate a post to someone from the world of cinema who shares my birthday.

This year, therefore, a post in honour of José Ferrer, the Puerto Rican actor who was born on January 8, 1912, and became the first Hispanic actor to win an Oscar for Best Actor (for Cyrano de Bergerac).  I confess I haven’t seen too many of Mr Ferrer’s films, but Moulin Rouge (in which he played the tormented artist, Henri de Toulouse-Lautrec) impressed me immensely. As did this one, a thought-provoking tale of an unforgivable miscarriage of justice.

José Ferrer in I Accuse!

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Ten of my favourite Shakila songs

When Shakila’s niece Tasneem Khan graciously agreed to write a guest post to mark Shakila’s birthday yesterday, I decided I ought to show my personal appreciation for Shakila by making a double bill of it—with ten of my favourite Shakila songs. Shakila, whether she was acting the vamp (in films like Aar Paar) or the heroine, had some wonderful songs picturised on her: romantic songs, funny songs, cheeky songs, melancholic songs. Car songs, train songs. Even songs in praise of Shakila’s loveliness. Plenty to choose from.

For this post, though, I’ve stuck to songs in which Shakila has actually lip-synched, irrespective of whether the song in question is a duet or a solo. That’s why you won’t find the very popular Leke pehla-pehla pyaar here, or even the hauntingly lovely Sau baar janam lenge.

Shakila

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Happy birthday, Shakila!

What better way to launch a new year than with a post on one of my favourite actresses? That too on her birthday?

Yes, today, January 1, is the 78th birthday of the beautiful Shakila. Star of my all-time favourite ‘Bollywood noir’ suspense film, CID. Star of one of my favourite Shammi Kapoor films, China Town. Star of one of my favourite Muslim socials, Nakli Nawab. Luminously lovely. Friendly (as Edwina Lyons can probably testify). And a good actress.

Shakila in Nakli Nawab

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I’ll Be Seeing You (1944)

Merry Christmas!
It’s been a while since I did a Christmas post—therefore, this time round, I decided it was time to mark this festive season with a Christmas special. Not It’s A Wonderful Life or one of those other famous Christmas films, but a little-known one that manages to retain all the sweetness and charm of Christmas, but gives it dark undertones. I’ll Be Seeing You is about Christmas, but it’s also about the demons that haunt people; about pasts and futures; about healing and forgiveness.

Joseph Cotten and Ginger Rogers in I"ll Be Seeing You

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