Some months ago, Bawa—to whom I will always be indebted for inspiring me to watch and review films in languages other than English and Hindi—sent me an interesting article. It listed selected scenes that leading film critics pegged as cinema’s most memorable. Bawa’s suggestion: why not do a list like that for Bollywood?
It’s taken time and effort, but this is it: ten scenes from 50’s and 60’s Hindi cinema, which are for me the most memorable—for whatever reason. These are in no particular order, though the scenes that came immediately to my mind (so, I suppose, the most memorable for me) are grouped at the top.
Note: some of these have spoilers.
Tag Archives: Bollywood
Gyaarah Hazaar Ladkiyaan (1962)
What is a writer without readers? What is a blogger without people who stop by to read, comment, suggest, recommend, and encourage?
So, in gratitude to everybody who’s been visiting this blog over the months: this month on Dusted Off is dedicated to you. All through September 2010, the posts here will be connected in some way or the other to the readers of Dusted Off. The film reviews will be of films that have been recommended, given, or otherwise suggested by readers; and the lists—those ‘top tens’ I’m so fond of—will be of requests made by readers.
To begin with, this film. When I posted a review of Bhai Bahen a while back, it sparked off a discussion on N Dutta’s music—and reader Ash mentioned Gyaarah Hazaar Ladkiyaan, for which too the score had been composed by Dutta. After we’d indulged in much speculation about the film’s plot (what an intriguing title, right?!), another reader, Shalini, was kind enough to say that she had a copy, and was even more kind enough to share it. Therefore…
Ten of my favourite patriotic filmi songs
I am very proud to be Indian, but I guess in a way that wouldn’t make me terribly popular with some people. I do not agree, for instance, that everything about India is top class, or that everything about the countries we have political, social, economic or other differences with is necessarily evil through and through. I love India, but I do not feel that means I must hate other countries.
But one thing I will concede: nobody does “I love India” songs as well as Bollywood. Of course. We have so many different forms of patriotism onscreen: the soldierly bravery of Haqeeqat; the dignified, subdued yet exceptionally poignant love for country of a native far from home in Kabuliwaala; the militant, do-or-die fervour of Bhagat Singh in Shaheed; the urge to take the country forward into a new age of progress, in Hum Hindustani...
So here are my ten favourite patriotic songs, all from 50’s and 60’s (occasionally 40’s) films that I’ve seen. Happy Independence Day!
Ek Sapera Ek Lutera (1965)
And besides that ‘one snake charmer, one bandit’ (and not a single snake, mind you)—there’s also one pretty lady, a nasty patricidal king, a ghost (who appears for all of one very short scene) and a trio of comic courtiers who go bananas trying to differentiate between their crown prince and an impostor. There’s also, to add to the fun, a variety of disguises. And a decent enough score by Usha Khanna, including the depressing hit song Hum tumse judaa hoke.
Shaheed (1965)
One thing that has long puzzled me is Bollywood’s reluctance to do real life stories. Where Hollywood has created films on the lives of people ranging from Napoleon’s one-time fiancée to an obscure British missionary in China, we have, to show for years of fascinating history… Shahjehan and Changez Khan, both so badly warped that they bear little resemblance to fact. Dr Kotnis ki Amar Kahani is a refreshingly unusual film in being relatively accurate, as well as entertaining—but a flash in the pan.
Our generally avid enthusiasm for the freedom movement and its exponents gave me hope that Shaheed, the story of Bhagat Singh, might be worth a watch. This, after all, was the young man who inspired an entire slew of films, beginning with (or so Wikipedia would have us believe) a film in 1954, followed by a 1963 film starring Shammi Kapoor, and this one: the first of Manoj Kumar’s many patriotic films. There have been later films—2002, for instance, saw two films, one a superb one starring Ajay Devgan and the other with Bobby Deol as Bhagat Singh—but Shaheed was the first major Bhagat Singh story.
Jaagte Raho (1956)
As I’d mentioned in my last post, I’m not much of a Raj Kapoor fan. I have seen most of his films, but I like very few of them. Jaagte Raho, a flop when it was first released (even though it won an award at Karlovy Vary) is one of the exceptions: an RK film that I found engrossing and worth the watch. Part of it probably is the fact that it features a veritable who’s who of 50’s Hindi cinema character actors. Part of it is due to Salil Choudhary’s superb music. And more than that, it’s because this is a well-scripted story, socially relevant in a tongue-in-cheek way.
Ten of my favourite Mukesh songs
Of all the male singers who ruled the 50’s and 60’s, the one I’ve usually tended to ignore is Mukesh—and for what I must admit is a somewhat prejudiced reason: the most recognisable Mukesh songs, at least for me, are the ones he sang for Raj Kapoor, and nearly all of them just don’t appeal to me. Is it the fact that they’re picturised on RK (whom I, being the iconoclast I am, don’t much like)? Who knows?
But for Mukesh’s birth anniversary (he was born on July 23, 1923), I decided to explore Mukesh’s songs in greater detail—and realised that a lot of songs I really, really like are in his voice.
Shahjehan (1946)
After a longish hiatus, I’ve begun working on my next novel. Like my first book, The Englishman’s Cameo, this one too features the Mughal detective Muzaffar Jang, and is set during the final years of Shahjahan’s reign. I’ve been doing other bits of writing—very little of it related to history—and decided I needed something to help build up atmosphere and get me back in the mood. A historic film, set in Shahjahan’s time? Shahjehan? With Naushad’s hit score, and the chance to hear (and see) K L Saigal singing some of his best-known songs?
Alas. Alas, alas, alas. Or, to put it more bluntly: &$%@##%@!!!
Bhai Bahen (1959)
My sister and I were discussing, with much fondness, my father’s love for classic Hindi cinema. When my parents bought a DVD player, I offered to look out for old films that I could buy for them. “Any particular favourites you’d like me to buy you?” I asked. Papa’s list included Sangdil, Daag, Anari, Ratan, Andaaz, Albela, Sone ki Chidiya and a bunch of other films—all of them selected mainly because they had superb music.
And I am very much my Papa’s daughter. It takes just one good song for me to rent a film (I may not go so far as to buy it, though). I’ve done it with Akashdeep, and I’ve done it again with Bhai Bahen. Here, fortunately, I was a little luckier. Even though the best thing about it is the lovely Saare jahaan se achha, Bhai Bahen is, overall, an interesting and rather offbeat little film.
Akashdeep (1965)
Once upon a time, there was a writer.
No: it wasn’t Dharmendra, and it certainly wasn’t Nanda (old Hindi cinema, at least, doesn’t seem to believe women capable of writing anything more complex than a love letter, if that).
This writer was someone quite different, and one day (I’m guessing) decided that it was time to show the world what he was capable of. So, with a producer and a director, the writer went into action, and what resulted was Akashdeep. Looking at the film, I’m assuming this was somewhat of a collaborative effort. A “how about this?” and a “don’t you think it would be a good idea—?” sort of film.
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