Do Behnen (1959)

RIP, Shyama.

Yes, Shyama, of the dancing eyes and the gorgeous smile, passed away almost a week ago, on November 14, 2017. I could not possibly let the death of one of my favourite actresses go unmentioned on this blog, but I’d already done, some years back, a post of my favourite Shyama songs. A film review, therefore, seemed in order. But which one?

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Ten of my favourite Shyama songs

Happy birthday, Shyama!

Today is the 78th birthday of one of my favourite actresses, the gorgeous Shyama. Born in Lahore on June 7, 1935, Shyama debuted at the tender age of 9, when she appeared onscreen as one of the chorus in the Zeenat (1945) qawwali , Aahein na bhareen shiqve na kiye. In a career that spanned 40 years and close to 150 films, Shyama played everything—from the shrew to the vamp, the tomboy to the domestic goddess. And she invariably shone, quite literally. Shyama’s sparkling eyes and bright, 1000-watt smile could light up the screen like few other actresses were capable of doing.

Shyama

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Celebrating the Uncelebrated: Ten of my favourite songs by lesser-known composers

This blog hosted a ‘Classic Bollywood Quiz’ a while back. In true film awards style (and we have pacifist to thank for this idea), everybody who submitted answers got a prize. The winner, Anoushka, got a tangible prize, and our runner-up, Anu Warrier, got the ‘dictate-a-list’ prize. For the others, I decided I’d dedicate one post each. This is the first of those posts; it’s dedicated to Karthik, who won the Just for the Heck of it Award (I assume full responsibility for that ghastly name; my creative juices had run dry by the time I got to naming this prize).

So, Karthik: this is for you, because though I’d thought vaguely that I’d do this list sometime, it was your suggestion (that comment on a long-ago post…) that spurred me on to get down to it. Enjoy!

Now, a few words about what this post entails. I’ve noticed that a lot of people, including those who do like old Hindi films and their music, tend to equate good music direction with the ‘greats’: Salil Choudhary, S D Burman, Shankar-Jaikishan, Madan Mohan, Roshan, O P Nayyar, Naushad… and so on. I did, too, till not too long ago. But a spate of watching some rather obscure films over the past decade or so has made me more aware of music directors who may not have made it big, but who certainly did not lack talent. In some cases, a couple of their songs became runaway hits. In some cases, the songs may not have been huge hits but are nevertheless very melodious.

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