Ram aur Shyam (1967)

I wanted to watch a Dilip Kumar film to commemorate the life and career of this extraordinary actor. But which one? There are lots of iconic Dilip Kumar films that I have either seen long ago (Devdas, Footpath, Daag, Deedaar, Udan Khatola, Andaaz) and not reviewed on this blog, or which I’ve never seen (Tarana, Jugnu, Mela, Shaheed, Musaafir). I could watch a film I’d never seen before, but—knowing what a lot of Dilip Kumar’s early films are like—there was always a chance I’d run up against something depressing.

I finally decided to rewatch a film I’d seen years ago. A film that’s a good showcase of Dilip Kumar’s versatility, his ability to pull off comic roles as well as the tragic ones for which he was better known. Ram aur Shyam is an out-and-out entertainer, a film I’d watched and loved as a teenager, and which I knew for a fact would cheer me up.

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Dilip Kumar in Ten Moods

RIP, Dilip Kumar.

A living legend has gone. Yusuf Khan, aka Dilip Kumar, one of the greatest actors (many would say the greatest) of Hindi cinema, a man who could seemingly effortlessly enact any role. A man who could convincingly be the maudlin drunk, the happy-go-lucky joker, the broken-hearted lover, the cynic who looks on with contempt at a world gone awry. Unlike several of his most successful contemporaries, who let their stardom get to their heads until what you saw onscreen was always the star, never the character—Yusuf Sahib managed always, unerringly, to bring the character to life. He was Devdas, he was Noshu. Amar, Azaad, Saleem. And every other character he has played.

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Ten of my favourite Naushad Songs

Happy Christmas!

Today marks the birthday of Jesus Christ, but also of a man who was pretty much regarded as little less than a god by thousands of music lovers in India between the 40s and the 60s. The one and only Naushad Ali, who was born on Christmas Day, 1919.

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Ten of my favourite ‘male pianist’ songs

Some time back, I received a request from a blog reader and long-ago professor of mine: would I do a post on songs sung at pianos? Hindi cinema, back in the good old days, invariably had a song at a piano per film, often more. I had to inform my ex-prof: I had already compiled, some time back, a post on piano songs: specifically, women pianists. But this gave me an idea: how about a post on male pianists? After all, there has been no shortage of songs picturised on men sitting at pianos.

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Ten of my favourite Dilip Kumar songs

Today is the 90th birthday of one of Hindi cinema’s greatest legends. Dilip Kumar was born Yusuf Khan in Peshawar on December 11, 1922—and yes, they’re celebrating his birthday in Peshawar too.

Most people tend to associate Dilip Kumar only with sombre, melancholy roles: whether it’s Devdas or Aadmi, Andaaz or Deedaar, Dilip Kumar seems to have been the obvious choice to play the tormented protagonist (hardly a hero in some roles). While his acting as the drunk, or the self-pitying cripple, or the doomed lover—or, actually, just about any other character—was faultless, Dilip Kumar was also splendid as the debonair and dashing hero. Or the clown. Or the flawed, but still attractive lover

Dilip Kumar in Andaaz

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