It’s often struck me that there are a number of Hindi film songs that could well be interpreted to refer to medical problems. The omnipresent theme of romantic love in itself has enough substance for everything from insomnia to palpitations of the heart, giddiness, and whatnot. Bung in heartbreak (hah! Another medical problem?), and you can also tag on mental illness, in the form of depression. Of course, romance isn’t the only reason for problems concerning one’s health: betrayal, fear, family troubles—everything can be cause for singing about ailments concerning one’s heart, one’s liver, and sundry other body parts.
The other day, with a storm in full force, I could hear the crash and rumble of thunder, the pitter-patter of raindrops (and, as it grew more stormy, huge splashes of water against the windows)—and the wind, gusting and whooshing all around. It struck me then that nature, even when it’s not living nature—not birds and animals, but water and wind and clouds—makes its own music.
Wind, in my opinion, wins when it comes to ‘natural music’. From the soft swoosh of the breeze blowing through the leaves of a tree, to the howling, gooseflesh-inducing gusts that can be well mistaken for a banshee: the wind has a life all its own. Appropriate, then, that at least two types of musical instruments—wind chimes and Aeolian harps—are played by the wind.
And the wind, of course, has long been an important motif in Hindi film songs. There have been songs addressed to the wind, songs about the wind. Here are ten of my favourites, in no particular order. The only restrictions I’ve imposed on myself are:
(a) As always, the song should be from a film I’ve seen, from before the 1970s
And (b) the song should have a word synonymous with wind (hawa, saba, pawan, etc) in the first line of the song.
Ah, well, the Valentine’s Day bandwagon and all that.
Seriously, I’ve blogged through five Valentine’s Days, and steered clear of the temptation to post something even vaguely romantic (largely because my idea of what constitutes ‘romantic’ is more often than not at odds with what old Hindi cinema, or even a lot of Hollywood, thought of as romantic). This year, however, I’ve decided to throw in the towel. Romance is in the air. And Hindi cinema, as any Hindi film buff will know, has always loved romance (especially in the 50s and 60s, when any self-respecting film had at least one romance in it, if not more).
But, since I’m a bit of a non-conformist, I’m doing this with a twist: not necessarily a serenade to a loved one, and not necessarily two lovers billing and cooing to each other. Instead, romantic love in its different forms and shapes and tones and hues. All of these songs are about romantic love (not maternal/fraternal/patriotic/devotional or other forms of the sentiment), and they’re all from pre-70s films that I’ve seen. And they’re each in a distinct mood that shows some aspect of romantic love. Enjoy!
I have been meaning to write this post for a long time now—I love qawwalis—but I’ve kept putting it off, because I’ve always thought that it would be impossible to create a list of just ten filmi qawwalis that are my favourites. (Barsaat ki Raat itself features at least three qawwalis that completely bowl me over).
But. I’ve finally decided to take up the challenge, and do it. These are ten fabulous qawwalis from pre-70s films that I’ve seen (though I must confess that I like the qawwalis of some 70s films—especially Rishi Kapoor ones). To make this post a little more challenging, I decided not to include more than one qawwali per film.
Pyaasa, Kaagaz ke Phool and Sahib, Biwi aur Ghulam may be Guru Dutt’s classics—but this gem of a movie, in a much lighter vein and starring the inimitable Madhubala, is one of my favourites ever.