Dev Anand: Ten Songs, Ten Voices

The very first Hindi film song I remember watching was a Dev Anand one. I was nine years old, and the film was CID. The film had already had a couple of songs (Boojh mera kya naav re, Leke pehla-pehla pyaar) that featured him, but when Aankhon hi aankhon mein ishaara ho gaya came on, it cast its spell on me. I was completely bowled over, and from then on, was a starry-eyed Dev Anand fan.

Over the years, as I’ve become older and wiser (more cynical?), the love for Dev Anand has been tempered somewhat. I don’t like the mannerisms, the exaggerated drawl and pout, the puff of hair, and the larger-than-himself persona he took on once he became a superstar. I find him a bit embarrassing in later films, from the 70s onward, where he’s trying desperately to appear much younger than he really was.

But, in his heyday, I think there was nobody to rival Dev Anand in the charisma department: nobody as suave, as charming, as watchable. And, as if that wasn’t all, his films always had great music. About 90% of my favourite songs as a teenager were from Dev Anand’s films. Munimji, CID, Nau Do Gyarah, Guide, Solvaan Saal, Kaala Paani, Kaala Bazaar, Baat ek Raat ki, Teen Deviyaan… one wonderfully entertaining film after another, one great song after another.

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Lata Mangeshkar: Ten Composers, Ten Songs – Part 5

The first post in this series of song lists was posted as a tribute to Lata Mangeshkar when she passed away in early 2022. I had previously posted a song list featuring Lata in Ten Moods, so this time I wanted to be different: to showcase Lata’s work with different music directors. Naturally, given Lata’s oeuvre (even till just 1970, which is my self-imposed cut-off for this blog), that list, with just ten composers included, was far from enough. I ended up doing several more posts in the series, and every time, some reader or the other would comment: “What about so-and-so composer? How about this song?”

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Shailendra in Ten Moods

One of Hindi cinema’s leading lyricists, and a stalwart poet in his own right (I cannot resist wondering if that shouldn’t be “in his own left”, given Shailendra’s socialist leanings!), Shailendra was born on this day a hundred years ago. I have written about him before, in this post to mark an earlier one of his birthdays. But, since I like Shailendra’s poetry so much, I could not let his birth centenary pass without a post dedicated to him. A list of Shailendra’s songs, therefore, that are in ten different moods. And, so that this post isn’t a repeat, even in a small way, of my earlier Shailendra post, none of the songs here are from my earlier post.

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Book Review: Yatindra Mishra’s ‘Lata Mangeshkar: A Life in Music’

Over a period of about four years, from 2010 to 2014, Lata Mangeshkar was interviewed by the biographer Yatindra Mishra, the interviews coming together in the form of a Hindi book, Lata: Sur Gatha. The biography won a National Award, and was published in its English translation (Lata Mangeshkar: A Life in Music, translated by Ira Pande) earlier this year.

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Ten of my favourite crooner/club songs

This post has been in the pipeline a long, long time. When I first started this blog way back in November 2008, the very first ‘ten favourites’ song list I compiled was for Madhubala songs—and (unlike what I now do, which is to steer clear of assigning ‘absolute favourite’ status to any particular song), I actually went out on a limb and marked one Madhubala song as my favourite. That was Aaiye meherbaan baithiye jaan-e-jaan. And, even as I was putting that down on my list, I thought to myself: “I must do a list of my favourite crooner and club songs someday.”

Well, here it is, finally. It’s not as if I’ve spent the last many years thinking of this post; but the ‘Crooner Songs’ folder has been there on my laptop all these years, even with some screenshots taken of the songs I knew had to be part of the list.

In any self-respecting, urban-centric film of the 50s and 60s, a club song was almost de rigueur. It would probably be picturized on someone of the likes of Helen, but not necessarily: at times, what was needed was not someone who was a fabulous dancer, but someone who could project the oomph one associated with the club singer.

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Lata Mangeshkar: Ten Solos, Ten Composers – Part 4

Last year, when Lata Mangeshkar passed away, I did a series of posts featuring songs she’d sung for different composers. This post, the fourth and final one, had been lying waiting to be published for the past several months.

I began the first list as a tribute to Lata when she passed away, but that, I realized, was too little; there were too many very talented composers, too many wonderful songs, which had perforce been left out of that list. I therefore ended up making another list. And then another.

Here, I cover ten more composers, most of them unfortunately either forgotten now or never really given their due. But, as can be seen (or heard?) by this list, they were not short of talent. These ten solos are all, as always, from pre-1970s Hindi films that I’ve seen. Plus, these songs do not overlap with the very first Lata Mangeshkar post I had published on this blog, here.

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One Voice, Two Faces: Ten of my favourite ‘one-singer-duets’

One playback singer sings for two (or, in some cases, more than two) people who lip-sync to the song onscreen. Within the same song, not two different versions of the song.

You’d have thought that wouldn’t be very common, given that a lot of our playback singers have had such distinctive voices that you wouldn’t expect two people in the same setting to be singing with that same voice. But then, reality and Hindi cinema have never been the best of friends; and anyway, there were probably other considerations: one singer is cheaper than two; it’s easier to get recording dates if you don’t have to juggle dates for two people; and all said and done, Hindi cinema is all about the willing suspension of disbelief. If three women (or four, or five) can all ‘sing’ in Shamshad Begum’s voice, so be it.

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Ten of my favourite ‘secondary romantic couple’ songs

Think of ‘Hindi film song’ and chances are, you will think of a romantic song. A hero and a heroine, in a garden or under a moonlit sky, singing of their love for each other: the quintessential Hindi film song. But besides the heroes and heroines, there were often, too, the secondary couple. The man was often the hero’s sidekick, the best friend who helped him defeat the villain, overcome the objections of the disapproving father, and so on. The comic best pal’s love interest, too, was often of a similar bent of mind: good-hearted, nutty, comic in her own way. Also (oh so stereotypically) often an Anglo-Indian or a Goan, a girl who had few inhibitions about dancing and singing with her man.

The secondary romantic pair served several purposes. They provided, if not comic relief, at least some moments of light-heartedness (think Johnny Walker’s and Kumkum’s characters in the otherwise so grim Pyaasa). They brought a ray of hope, a refreshing change from the melodrama and seriousness that might plague the hero and heroine; they often helped in very concrete, practical ways. And, thankfully for us, they invariably had at least one romantic song to lip-sync to, and it was often just as good as the ‘main’ romantic songs. Some of these, in fact, are iconic songs in their own right.

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Lata Mangeshkar: Ten Solos, Ten Composers – Part 3

When I posted a Lata Mangeshkar tribute to mark the passing of the singer, I had thought I’d just focus on ten songs with ten different composers; but that, as it turned out, wasn’t enough. There were too many composers, too many good songs, that fell by the wayside in compiling that first post. So I ended up compiling a second, follow-up post, with ten other composers. In the process, I wound up with more songs, more composers than could fit in that second post.

Here, then, is a third list of solos sung by Lata Mangeshkar: ten songs, ten different composers. Of course, none of these composers feature in my two earlier lists. Also, these songs do not overlap with the ones on my very first ‘Lata in Ten Moods’ song list. As always, these songs are all from pre-1970s Hindi films that I’ve watched.

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Lata Mangeshkar: Ten Solos, Ten Composers – Part 2

When Lata Mangeshkar passed away earlier this month, I wrote a tribute post in which I listed ten songs, all solos, that Lata had sung for ten different composers. Naturally—given Lata’s record number of songs—there were many, many songs and many composers that didn’t get covered in the list. Blog readers helpfully suggested other great songs that could have been part of the list, or which they especially liked; some wondered why I had not listed this song or that. Or why so-and-so composer had not been included.

Even when I had been compiling that post, I’d been thinking, there really ought to be a sequel to this. A post, at least, to include some of the other great music directors for whom Lata sang some exceptional songs. As well as the music directors who may not have been very famous, but who were nevertheless very talented.

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