Ten of my favourite dream sequence songs

When I posted my ‘Khwaab/Sapna’ songs list, Anu commented that, by reading the title of the post, she thought it was about dream sequences. It wasn’t, of course—it was a list of songs which literally contained the word ‘dream’ in the first couple of lines of its lyrics. And while I did write in that post about the different links between songs and dreams in Hindi cinema, I didn’t mention that I had another post lined up to follow the ‘Khwaab/Sapna’ songs list: the dream sequence songs list.

A ‘dream sequence’ is part of a cinematic production that is separated from the rest of the story—by devices such as graphics (think spiraling), fogging, music, etc—to depict an event that does not really happen but which a character may imagine. Dream sequences allow, in Hindi cinema, all sorts of interesting possibilities: grand spectacles, enormously enlarged sets, things that aren’t possible in real (or reel) life. Lovers who are forbidden, relationships that cannot be.

There are dream sequences aplenty all through Hindi cinema, ranging from the very opulent one in Aan, where Nadira’s character sees herself switching places with her rival, played by Nimmi—to the many songs that take the form of a dream sequence.

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Ten of my favourite Shashi Kapoor songs

Of the three Kapoor brothers—Raj, Shammi and Shashi—Shashi Kapoor is the one who falls in the middle when it comes to my personal preferences. Raj Kapoor I tend to not like (except in the occasional film now and then, like Chori-Chori or Teesri Kasam). Shammi Kapoor I am nuts about and will gladly watch in just about any film from his heyday. And Shashi Kapoor—well, he did act in some films I don’t like at all (Bombay Talkie, Benazir, Satyam Shivam Sundaram, Aa Gale Lag Jaa, Raja Sahib…), but he also acted in some of my favourite films. In Prem Patra, for instance. And Waqt. And Pyaar Kiye Jaa. And my guilty pleasure, Sharmeelee.

He was wonderfully handsome in a boyish sort of way, he was a versatile actor (compare, for instance, his hot-headed young Hindu radical of Dharmputra with the madcap of Pyaar Kiye Jaa), he was extremely watchable. (And, to his credit—or his wife, Jennifer Kendall’s?—remained relatively well-preserved until quite late. Of the three brothers, Shashi had the longest innings as a believable leading man, all the way from the start of the 60s to the early 80s).

Shashi Kapoor

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