Ten of my favourite Rajendra Krishan songs

2019 marks the birth centenary of two major lyricists of Hindi cinema: Kaifi Azmi and Rajendra Krishan. While they may have shared the same birth year, Krishan and Azmi appear to have been very different personalities. Unlike the ardently socialistic Azmi, Rajendra Krishan seems to have pretty much embraced the capitalist side of life (interestingly, he is said to have been the ‘richest lyricist in Hindi cinema’—not as a result of his earnings as a song writer, but because he won 46 lakhs at the races).

Also, unlike Azmi, who wrote songs for less than fifty films (up to 1998, when he wrote for Tamanna), Rajendra Krishan was much more prolific. Though he died in 1987, by then he had already written songs for more than a hundred films.

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Ten of my favourite Hindi film ghazals

This is another of my ‘prize posts’, dedicated to one of the people who participated in the Classic Bollywood Quiz I hosted on this blog last year. One of the quiz questions was a toughie that no-one was able to answer: Which was Sahir Ludhianvi’s first ghazal to be recorded in Hindi cinema? I did provide one clue: the operative word is ‘ghazal’.

This post therefore is dedicated to Ravi Kumar, the only person who guessed which song I was referring to, though since his guess came in the wake of his submission, it didn’t count. The song was Tadbeer se bigdi hui taqdeer bana le, from Baazi (1951) – a song which is, in my opinion, a good example of what a ghazal is and isn’t. No, it’s not defined by its music – so, it needn’t be slow and soulful; it can be fast-paced and peppy. What does define a ghazal are its lyrics: rather, its structure and its rhyme scheme.

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