In which Iftekhar, playing against type, acts the part of a lecherous villain. And Chitragupta, composing against type, proves he was no one-trick pony.
But, to begin at the beginning (and Kangan gets into action right at the start, not dilly-dallying about with incidental stuff). Karuna (Nirupa Roy) is about to get married, and her widowed father (?) is giving her his blessings and wishing her mother were still around. Just then, Kamla (Purnima) comes in; she is not just Karuna’s bridegroom’s sister, but also a good friend of Karuna’s. Karuna’s father leaves the two women together and goes off.
2019 marks the birth centenary of two major lyricists of Hindi cinema: Kaifi Azmi and Rajendra Krishan. While they may have shared the same birth year, Krishan and Azmi appear to have been very different personalities. Unlike the ardently socialistic Azmi, Rajendra Krishan seems to have pretty much embraced the capitalist side of life (interestingly, he is said to have been the ‘richest lyricist in Hindi cinema’—not as a result of his earnings as a song writer, but because he won 46 lakhs at the races).
Also, unlike Azmi, who wrote songs for less than fifty films (up to 1998, when he wrote for Tamanna), Rajendra Krishan was much more prolific. Though he died in 1987, by then he had already written songs for more than a hundred films.