Somewhat Cross-dressed Women ‘Romancing’ Women in Performances: Ten Songs

The title of this post will probably require some explanation before I launch into the list itself.

Several years back, I did a post on female duets. Commenting on that, fellow blogger and blog reader Carla wondered about the rationale or thought behind songs like Reshmi salwar kurta jaali ka, where a dance performance featuring two women dancers has one woman dressed as a man, supposedly romancing the other (who’s dressed as a woman). I had no explanation to offer, and over the years, while I’ve mulled over this plenty of times, I’ve still not figured out why this became popular.

You know the type of song: there’s a fairly conventional love song, often teasing and playful, being sung—and the two people onscreen, while both women, are dressed as man and woman. The woman dressed as a man isn’t (unlike Geeta Bali in Rangeen Raatein), however, actually pretending to be a man: it’s very obvious that she is a woman, and that she’s supposed to be a woman (even the playback singer is a woman).

Continue reading

Advertisements

Shamshad Begum: A Tribute

When I began April 2013 on my blog, I’d promised this month would be dedicated to celebrating 100 years of Indian cinema—not merely Hindi cinema, as I tend to do, but regional language cinema as well. Apart from a review of the first full-length Indian feature film (Raja Harischandra) and a post on 100 years of Hindi film music (and how could I not post that, in a month commemorating Indian cinema’s centenary)?—I have tried to stick to my promise.

But, the day I was posting Songs for all times, I received a sad piece of news: that Shamshad Begum had died, just a little over a week after her 94th birthday. I did fit in a small tribute to Shamshad Begum in that post, but I had to say a fonder farewell, with a longer post showcasing this singer’s wonderful, very distinctive voice.

Shamshad Begum

Continue reading