Prisoner of Golconda (1954)

Aka Golconda ka Qaidi: a film made both in Hindi as well as English, though I’ve only seen the English version, not the Hindi, which I couldn’t find anywhere, despite much searching.

Prem Nath directed and starred in Prisoner of Golconda, which also starred his wife Bina Rai and his younger brother Rajendra Nath (whose debut this was, going by the film’s credits). I don’t remember now how I happened to stumble upon the film on YouTube, but I was immediately intrigued; Indian films in English from that era always have that effect on me. What’s more, on a web page, I saw it mentioned (as it turned out, incorrectly) that Prisoner of Golconda was a fantasy. This, I decided, was a film that might merit watching, since the last Prem Nath-starrer fantasy I saw, Aab-e-Hayat, was a thorough entertainer.

But no, Prisoner of Golconda is no fantasy at all. This is a patriotic film, a story set in the early 1940s, and Prem Shankar (Prem Nath) is a police officer, an ASP, who comes to the rescue of a besieged police station where the local officer, Zorawar Singh (Hiralal) has found himself surrounded by a crowd of irate locals. These people, full of anger for the high-handed ways of the British government (and, naturally enough, seeing in the police the embodiment of that colonial government) have been on the rampage. They have already set fire to a post office and are now getting ready to destroy the police station as well.

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Insaniyat (1955)

This is one film that’s been on my to-watch list for several years now, mainly because it is the only film that stars both Dev Anand and Dilip Kumar. Also, as I’ve gathered from a few articles and posts I’ve read, this is also possibly the only film that doesn’t feature Dev Anand as a modern city slicker. He’s still somewhat of a sophisticate—by no means an illiterate rustic—but this is set in some undefined ‘raja-rani’ time period where Dev Anand spends all the film in something other than Western clothing.

But, to begin at the beginning. Zangoora (Jayant) is a nasty tyrant whose idea of ruling his kingdom is to be brutal with his subjects. Every now and then, his soldiers are sent out into the countryside to loot villages and bring back all that they can find. Zangoora’s troops are vile, uncaring, as brutal as their boss.

They’re at one village, upturning things, grabbing and snatching, when a furious village woman, Durga (Bina Rai) comes charging up. Durga lets fly at the man leading the troops, Bhanu Pratap (Dev Anand, his upper lip topped with a ridiculous moustache). Durga slaps Bhanu, and then proceeds to berate him for his mindless cruelty.

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Love in Simla (1960)

Memsaab reviewed Love in Simla a while back. I am, on purpose, not reading it again, just to make sure I don’t end up subconsciously lifting phrases and ideas (though my excuse can always be that imitation is the sincerest of flattery!) I can’t hope to write as delightfully as memsaab does, but for what it’s worth, here’s my two cents.

Love in Simla is the quintessential Cinderella story: the fairy godmother helps turn the ugly duckling into a swan so she can steal Prince Charming from the clutches of the evil stepsister. Of course, this being Bollywood, the swan has a heart of gold and can’t bring herself to harm even the evil stepsister.

Sadhana in Love in Simla

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