Pathlaag (1964)

Some years back, a comments thread on a blog post sparked off a discussion, the net result of which was that I learnt about Pathlaag, the Marathi original of Mera Saaya.

Suspense is one of my favourite genres, and when it comes to 60’s Hindi cinema, Mera Saaya remains one of my favourite suspense films. And I am always eager to see the originals or the remakes—even in different languages—of films I particularly like. So I quickly put Pathlaag on my list, and set about trying to find a subtitled version. Some hectic trying, and I realized just how difficult this was going to be. I found VCDs aplenty; I even found a version—uploaded in five parts—on Youtube. None had subtitles. Then, Pathlaag again cropped up in conversations when I posted my review of Mera Saaya, I decided to give it another try. This time, I found an English subtitles file of Pathlaag. With much jugglery and some tech work, I managed to fit film to subs, and watch it.

Appropriate, perhaps, considering—as Harvey and Milind’s discussion indicated—‘pathlaag’ can mean ‘chase’ or ‘follow’. I really had to chase this film down.

Bhavna and Kashinath Ghanekar in Pathlaag

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The Muzaffar Jang Walk, Version #2

Blog regulars will probably know that I am the creator of a series of historical detective fiction books. Featuring Muzaffar Jang, a 17th century nobleman who lives in Shahjahanabad during the tumultuous last years of Shahjahan’s reign, the series now … Continue reading

Mera Saaya (1966)

Permit me one last Sadhana-related post before I put aside my unexpected (even to me) sadness at her untimely death. I know I’ve already been through two tribute posts, but even as I was writing those posts, I couldn’t help but think of the Sadhana films I haven’t reviewed on this blog (and there are several of them, including all the ones she made with Rajendra Kumar). When I think of Sadhana, I always think of her in Raj Khosla’s suspense films. Three of them, two opposite Manoj Kumar (Woh Kaun Thi? and Anita), and this one, opposite Sunil Dutt, with whom Sadhana also starred in Gaban and Waqt.

Sadhana in Mera Saaya

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Escape (1948)

It’s my birthday today, the 8th of January. Every year, on this day, I post a review of a film that features someone born on January 8. This year, it’s William Hartnell. Born on January 8, 1908 in London, Hartnell was best-known, in the early decades of his career, for his role as Sergeant Grimshaw from the popular Carry On films. In 1963, however, came a breakthrough that was to immortalize Hartnell on screen: he became the first Doctor Who.

In 1948, however, Hartnell acted in this somewhat unusual film about a fugitive, the girl who helps him, and the police inspector who’s on his trail. Hartnell was not the protagonist; that role went to Rex Harrison—but Hartnell put in a nuanced and restrained performance as a cop who’s not infallible, not hard-bitten and cynical, not incompetent or corrupt. A human being, and a cop.

William Hartnell as Inspector Harris in Escape

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Ten of my favourite ‘Songs in praise of Sadhana’

When Sadhana passed away at Christmas and I finally got down to thinking what tribute I’d post, the first thing that came to my mind was: a list of Sadhana songs. My favourite ten songs. Then, I realized that I had too much other work to get through (besides being none too well), and that a short piece requiring more heart and less research might be more doable. So that was what I did.

Sadhana

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In Tribute: Sadhana (1941-2015)

A strange series of Sadhana-centric coincidences happened over the past fortnight or so. A new reader—a die-hard Sadhana fan—suddenly arrived on my blog, and commented enthusiastically on just about each of the Sadhana film reviews I’d posted. Then in an e-mail exchange with blog reader Neeru, I mentioned to her that my mother used to look astonishingly like Sadhana in her younger days. Sufficiently like Sadhana, in fact, to invite the complete unwelcome attentions of neighbourhood loiterers who would call out, “Sadhana! Sadhana!” when my mother would emerge from her home in Calcutta. Enough, too, for my father (then only my mum’s fiancé, not her husband yet) to be asked by a cousin—who had never seen my mother but saw her photo on my father’s desk—to remark, “I didn’t know you were such a fan of Sadhana’s.

Then Anu reviewed Aarzoo, and I couldn’t help but recount an incident related to that film and to my mother’s resemblance to the actress.

So much Sadhana. And I thought: I really must do a list of Sadhana songs someday. After all, she’s one of my absolute favourite actresses. This is long overdue.

Instead, on Christmas morning, I heard the news that Sadhana had passed away.

Sadhana in Aarzoo

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Miracle on 34th Street (1947)

christmas-clip-art-free-downloads-174203I am a creature of habit. And a lot of habits of mine kick in around Christmastime every year. One is the daily posting, on Facebook, of a favourite Christmas carol. Another is this: the reviewing of a film that centres round Christmas. Over the years this blog has been in existence (I began it in November 2008), I’ve reviewed several films, some well-known, others not. This one, according to several polls, is listed as one of the very top Christmas films ever made.

It begins at Thanksgiving in New York City. The huge department store, Macy’s, at 34th Street, is holding its annual Thanksgiving Day Parade, and the employee in charge of managing much of the parade is Mrs Doris Walker (Maureen O’Hara). Doris is very harassed, what with the large number of people she has to juggle and instruct; thus, when she discovers that her Santa Claus has been drinking and is now tipsy, she nearly loses it.

Doris receives a shock

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Ferry (1954)

Earlier this year, commenting on a post, reader Shalini recommended Ferry to me. I admitted that I’d seen the film—years ago—on Doordarshan, and had liked it, though over the intervening years I’d forgotten what exactly it was all about. I did remember this much: that it featured a child, and that it was very different from the usual (mainly romantic or noir) films of Dev Anand that I’d seen till then. I decided it was time for a rewatch.

Geeta Bali and Babu in Ferry

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Hua Mu-Lan (1964)

Aka (in its English translation) Lady General Hua Mu-Lan.

I must admit to my ignorance: till a couple of months back, I had only heard of Mu-Lan (or Mulan). I’d no idea who Mu-Lan was, whether her character was fictitious or not—or, well, anything. Then a relative came visiting and brought my little daughter a gift: a soft doll, one of the Disney Princesses: Mulan. Ah, East Asian, I realized (yes, so ignorant). But that piqued my interest; at least watch the Disney animation film, if nothing else, I decided. So I watched it—then discovered (and watched) the 2009 Chinese film, Mulan: Rise of a Warrior. And then, stepping back into one of my favourite periods of cinema history, watched this Chinese opera version of the legend of Mulan.

Ivy Ling Po as Hua Mu-Lan

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