Door Gagan ki Chhaaon Mein (1964)

Just ten days ago, this blog celebrated the birth centenary of an actor who pretty much came to exemplify the ‘Hindi film villain’ of the 50s and 60s: the inimitable Pran. Today, it’s time to celebrate the birth centenary of another actor who carved such a niche for himself that his name became nearly synonymous with a particular kind of role. Iftekhar, who brought so much dignity and intelligence to his usual role of police officer or lawyer—or army officer, or doctor…

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Meghe Dhaka Tara (1960)

There was a point, when I was watching Meghe Dhaka Tara, that I was reminded of another much-acclaimed Indian classic, Pyaasa. A man, an artiste (a singer, not a poet, as in Pyaasa) wanders along on a grassy patch of land, singing. Far beyond is the railway track; around him are shady trees, a path, solitude. Here is a man practising his art, being one with nature, without a care for the world around him.

Shankar does his riyaaz

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