The Mark of Zorro (1920)

The highlight of last week was—no, not an old film that I watched at home, but a new film that I watched in a cinema theatre. The Artist. A couple of friends, both people with excellent taste in cinema, recommended it to me. So I wheedled my husband into coming to watch The Artist.

And, oh. What a film. What a wonderful combination of humour, emotion, heart-breaking sorrow—and hope. It’s been a long, long time since I saw a new film that made me gush so much. (Yes, well; that probably also had a lot to do with the fact that the gorgeous Jean Dujardin is very gushworthy).


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Ten Bits of Trivia from Classic Hindi cinema

This is another of the prize posts for those who participated in the Classic Bollywood Quiz I hosted on this blog last year. I’ve two awards left to ‘hand out’ – (read ‘two more posts to dedicate to readers’) – but this post is dedicated to Neha, whose blog is really niche: it’s a collection of interesting trivia about black-and-white Hindi films. Neha won the Hope Springs Eternal Award in the quiz, simply because she didn’t allow herself to be deterred by the fact that she couldn’t guess more than a handful of the answers. Atta-girl, Neha! That’s the attitude.

Anyway, here goes: a post for Neha. Since Neha’s so keen on trivia, I decided to do something along those lines for her post. Not, unfortunately for Neha, from just black-and-white Hindi films, but at least from pre-70s Hindi films. Just some little snippets that I’ve discovered over the years, and thought were fun.

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The 300 Spartans (1962)

This is the 300th post on this blog. A landmark for me, which I decided to celebrate with a film about 300-something.

The 300 Spartans is based on a real-life incident, the Battle of Thermopylae in about 480 BC, when a handful of Spartan warriors led by King Leonidas, faced up to the invading army of the Persian king Xerxes. The film begins just as the vast armies of Xerxes (David Farrar) are pouring into Greece.

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Ten of my favourite Hindi film ghazals

This is another of my ‘prize posts’, dedicated to one of the people who participated in the Classic Bollywood Quiz I hosted on this blog last year. One of the quiz questions was a toughie that no-one was able to answer: Which was Sahir Ludhianvi’s first ghazal to be recorded in Hindi cinema? I did provide one clue: the operative word is ‘ghazal’.

This post therefore is dedicated to Ravi Kumar, the only person who guessed which song I was referring to, though since his guess came in the wake of his submission, it didn’t count. The song was Tadbeer se bigdi hui taqdeer bana le, from Baazi (1951) – a song which is, in my opinion, a good example of what a ghazal is and isn’t. No, it’s not defined by its music – so, it needn’t be slow and soulful; it can be fast-paced and peppy. What does define a ghazal are its lyrics: rather, its structure and its rhyme scheme.

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Prem Patra (1962)

I am not – most decidedly not – nuts about red hearts and roses and all that bullshit. Really, if you love someone, you love them. And not just on February 14.
But, anyway, here’s my nod to the bandwagon. I’m not jumping on to it, mind you; just reviewing one of my favourite romance films.
So here we go. A Bimal Roy film that’s a must if you like romances.

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Ten Songs of Heroines ‘Manaao-ing’ Heroes

If you don’t know what manaana means, be patient. I’m getting around to that.

First, though, an introductory note on this post. This list of hard-found songs (believe me! I’ve spent months coming up with these) is dedicated to extremely supportive and loyal blog reader pacifist.  Pacifist won the Innovative Ideas Award in the Classic Bollywood Quiz I hosted a few months back – because she came up with the innovative idea of having prizes for everyone who participated, film awards style! This one’s for you, pacifist, because you were the one who suggested this list in the first place. And because it caught my fancy immediately.


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Ten Situations, Two Heroes, Twenty Songs

Caution: Long post!

It’s been a while now, but last year this blog hosted a Classic Bollywood Quiz. The prize for the runner-up was the chance to dictate a post: a theme for a list, for example.

Our runner-up, Anu Warrier, like me, likes both Shammi Kapoor and Dev Anand a lot. So, when we were discussing how both Dev Anand and Shammi Kapoor had acted in some similar films, Anu submitted her request for her prize post. Ten similar situations in which these two heroes find themselves in their films, and one song, respectively, that they sing in that situation. Easy? No, it wasn’t, as you can see from the fact that it’s taken me a long time to compile this list. But fun? Oh, yes!

So, Anu: here you go. Two of our favourite leading men in ten similar situations, and twenty songs that arise out of those situations. Enjoy! All of these are from 50s and 60s films that I’ve seen. And, no two songs from the same film.

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Teen Deviyaan (1965)

This post is two weeks late. Late, because it’s a tribute to the actress Kalpana, who passed away on January 4 this year. I didn’t get to know about her death till the 8th, and then – though I did want to do a tribute post – I couldn’t think of a film I hadn’t reviewed, and liked well enough to want to review. (Two of my favourite films – Professor and Pyaar Kiye Jaa – starred Kalpana, but I’ve already reviewed them. And other Kalpana films I’ve seen include Naughty Boy and Saheli – both of which I found almost impossible to sit through). Last weekend, in desperation, I watched Teesra Kaun, thinking I’d review that; but that was a disappointment too. So, finally: an old classic.  Not a great film, but very pretty. And a good Kalpana showcase.


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Maya (1961)

A wealthy young man strikes out on his own to see how the rest of the world lives. He pretends to be poor, goes to live in a community of poor people, and falls in love with a poor girl who doesn’t realise he’s a wealthy man. Starring Dev Anand as the protagonist.
Asli-Naqli? No. Interestingly, not. This was Maya, made just a year before Asli-Naqli, but with a very similar storyline.


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The 7th Voyage of Sinbad (1958)

Ever since I began this blog, I’ve maintained one annual tradition: on my birthday, I post a review of a film featuring a film personality who shares my birthday. I’ve reviewed Ittefaq (starring Nanda); Wild in the Country (starring Elvis Presley) and Baghdad ka Jaadoo (with Fearless Nadia). This time, it’s back to Baghdad – with Kerwin Matthews, who, like me, was born on the 8th of January. The 7th Voyage of Sinbad is typical Kerwin Matthews fare: he gets to swing a sword, battle an array of fearsome (sometimes unintentionally hilarious) monsters, and generally be the man who wins the day for the good guys.


So here’s remembering Mr Matthews. Happy birthday, and RIP.

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