Category Archives: Ten of my favourite…

Ten of my favourite ‘woman pianist’ songs

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When I created a list of my favourite car songs, blog reader Ragni requested a list: of songs that feature women playing a piano. I riffled mentally through the film songs of the 50s and 60s, and quickly responded: there would be just too many; how could I choose just ten? Another reader, Chris, came up with a suggestion: songs only from black-and-white films.

When I actually got down to compiling this list, however, I realized how impetuous I’d been. A closer look at most of the piano songs that sprang to mind, and I discovered that even if it’s a woman singing (as in Tu jahaan-jahaan chalega or Mujhe tum mil gaye humdum), it’s a man sitting at the piano. Songs where a woman is the one actually playing the piano are, when I came to think of it, relatively rare. I had to, perforce, expand the scope to colour films too.

Simi plays a piano in 'Yeh kaun aaya', from Saathi

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Ten of my favourite Shakila songs

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When Shakila’s niece Tasneem Khan graciously agreed to write a guest post to mark Shakila’s birthday yesterday, I decided I ought to show my personal appreciation for Shakila by making a double bill of it—with ten of my favourite Shakila songs. Shakila, whether she was acting the vamp (in films like Aar Paar) or the heroine, had some wonderful songs picturised on her: romantic songs, funny songs, cheeky songs, melancholic songs. Car songs, train songs. Even songs in praise of Shakila’s loveliness. Plenty to choose from.

For this post, though, I’ve stuck to songs in which Shakila has actually lip-synched, irrespective of whether the song in question is a duet or a solo. That’s why you won’t find the very popular Leke pehla-pehla pyaar here, or even the hauntingly lovely Sau baar janam lenge.

Shakila

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Ten of my favourite Dilip Kumar songs

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Today is the 90th birthday of one of Hindi cinema’s greatest legends. Dilip Kumar was born Yusuf Khan in Peshawar on December 11, 1922—and yes, they’re celebrating his birthday in Peshawar too.

Most people tend to associate Dilip Kumar only with sombre, melancholy roles: whether it’s Devdas or Aadmi, Andaaz or Deedaar, Dilip Kumar seems to have been the obvious choice to play the tormented protagonist (hardly a hero in some roles). While his acting as the drunk, or the self-pitying cripple, or the doomed lover—or, actually, just about any other character—was faultless, Dilip Kumar was also splendid as the debonair and dashing hero. Or the clown. Or the flawed, but still attractive lover…

Dilip Kumar in Andaaz

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Ten of my favourite ‘songs to myself’

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The other day, listening to old Hindi film songs while I went about my housework, I realised something: a lot of my favourite songs are songs the character onscreen sings to himself/herself. Not quietly hummed to oneself, not songs merely sung when no-one else is around: but songs whose lyrics are specifically addressed to the self.
To an aching heart, for instance, either offering it comfort or encouragement—or telling it to resign itself to the sorrow that looms. Or (and these are fewer), songs of joy, doubling one’s own happiness by exulting over it in the company of oneself.

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Ten of my favourite Shailendra songs

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Invariably, I find that when I’m discussing old Hindi film songs with like-minded friends, we end up praising a song for its music. Often, equally, we admire the singer(s). Then comes the picturisation, the actors and actresses who appear onscreen, even the scenario itself.
Rarely do we talk first and foremost about the lyrics. I’ve been guilty of that, too; more often than not, I pay attention to the words of a song only if the music has already got me hooked.

So, to make amends, a post on one of Hindi cinema’s greatest lyricists, Shailendra, who was born on this day, August 30, in 1923. Janamdin mubarak, Shailendraji!

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Ten of my favourite filmi qawwalis

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I have been meaning to write this post for a long time now—I love qawwalis—but I’ve kept putting it off, because I’ve always thought that it would be impossible to create a list of just ten filmi qawwalis that are my favourites. (Barsaat ki Raat itself features at least three qawwalis that completely bowl me over).

But. I’ve finally decided to take up the challenge, and do it. These are ten fabulous qawwalis from pre-70s films that I’ve seen (though I must confess that I like the qawwalis of some 70s films—especially Rishi Kapoor ones). To make this post a little more challenging, I decided not to include more than one qawwali per film.

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Ten of my favourite car songs

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I don’t often need to take a taxi to get around, but when I do, I always steel myself, because 9 times out of 10, the taxi driver will have music playing—a CD or a radio—and 99% of the time, it’ll be some completely vile stuff with just a monotonous beat, and no melody to speak of.
Last Friday, I had to take a taxi (for a longish ride, moreover—Delhi to Gurgaon and back, nearly 2 hours in the taxi). Sure enough, the radio was turned on. And what a pleasant surprise!—this driver had tuned into a radio channel that seemed to play only old Hindi film songs.

Those two hours were total bliss, and I was reinforced in my belief that good music can make a long and otherwise boring car journey also pleasurable.

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Ten of my favourite ‘Kashmir songs’

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Some of you may have noticed my recent hiatus. Some of you may even know the reason for that—a trip to Kashmir (or, to be more specific, Srinagar). I lived in Srinagar for 3 years, beginning with when I was about 9 years old. I loved Srinagar. It was a beautiful place, and the beauty of it changed with the seasons: from the golds and reds of the chinars in autumn to the billowy white of winter (winter also meant teeth-chattering cold and long power cuts and occasionally no water, but never mind). From the masses of narcissi and daffodils, and the flowering fruit trees in spring, to the gardens bursting with poppies, roses and pansies in summer.

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Celebrating World Heritage Day: Ten Songs

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Today, April 18th, is World Heritage Day. A day to thank God, our ancestors, civilisation—for the richness that surrounds us. Whether it’s in the form of a unique ecosystem, or a beautiful old building. Or a language, a cuisine, a medicinal system. It’s all heritage, and it’s all precious. All remarkably, frighteningly fragile.

The United Nations Educational, Scientific and Cultural Organisation (UNESCO) has, as one of its wings, the World Heritage Centre. This is responsible for selecting (based on very strict criteria), preserving and promoting the UNESCO World Heritage Sites: natural and cultural heritage believed to be of ‘outstanding value to humanity’. India has a total of 28 World Heritage Sites, with a further 32 nominated and therefore on the ‘Tentative List’.

So: to celebrate. Ten songs, from Hindi films of the 50s and 60s (the only exception being Johny Mera Naam, 1970), which are picturised, either in part or totally, against a backdrop of a UNESCO World Heritage Site—or at least a tentative one. These are all from films I’ve seen. Enjoy!

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Crime and the Hindi film song: Ten examples

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I attended an interesting Conference on Crime Fiction at St Stephen’s College, Delhi University, last month (for more on that, click here). During a couple of the less-engrossing sessions, I found my mind wandering a bit – but not too far: only to crime in cinema. And from there, to songs about crime.

Also, over the past several months, I’ve been wracking my brains over what post to dedicate to friend, blog reader, fellow-blogger and participant in the Classic Bollywood Quiz, Raja. For the other prize winners, deciding a post was fairly easy: some had requested particular posts in the past; some had voiced interests in a way that made me fairly sure of what they’d like. But Raja? I was flummoxed.

Then I remembered that Raja, besides sharing my love for old Hindi cinema (and its songs), also has a fantastic sense of humour. And a strong sense of justice, of what’s right and what’s not. This post, therefore, is dedicated to you, Raja. I hope you enjoy it.

Here it is, then: a list of ten film songs – as always, mostly from pre-70s films that I’ve seen – that talk about crime. To leave no room for doubt, they’re all actions that are illegal under the Indian Penal Code (or Acts of Parliament). And yes – no crimes are repetitions.

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